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    • ‘The Hill’ Nine Arches Press, 2017.

      Angela France’s The Hill is a remarkable sequence of poems that leads us up the winding footpaths of Leckhampton Hill near Cheltenham. Under our feet are fossils and flora, bones and the relics of quarrying. France is masterful in capturing the sense of place and weaving the entrancing voices of the hill, its walkers and inhabitants, into the fabric of these formally adventurous poems that range from prose to ‘anglish’, richly worded and delighting in their shapes and sounds.

  • The Hill is available from Nine Arches Press
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    • ‘Hide’, Nine Arches Press, 2013

      Available from

      ‘Invisibility must be achieved for success’, writes Angela France, revealing one of the truths of why the best poets serve language and are annihilated in the process. Hide is a book of wisdom, dignity and first witness. It offers poems of scrutiny and strength of character. And the poet's language possesses and is possessed by a gloriously sheared weight and shared music.

      – David Morley

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    • ‘Lessons in Mallemaroking’ Nine Arches Press, 2011

      Out of Print

      Angela France conjures a world of absences and menace with precise and elegant language. Things have begun to fall apart; the creatures are already wise to it. Dogs whimper at night and the horses are watchful of changing weather, they creak light from their joints/as they stamp, swish tails. Buddleia is sprouting through the concrete of driveways and petrol stations. We watch the river, the barrier,/the water rising. These excellent poems come as a warning.”

      – Martin Figura

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    • ‘Occupation’ Ragged Raven Press, 2009.

      Available from the author, £7 inc p&p

      Angela France’s robust poems move through a range of themes, but the passage of time and the struggle against it, in physical effort, in mind and in dream, recur. There is also a very welcome intellectual clarity that produces a beauty of its own, in short poems, like Unpoem and Beeing, but also in more gritty works of realism like Urban. The poems are always vigorous and rhythmically controlled. Occupation establishes a clear, firm, valuable voice in contemporary poetry.

      —George Szirtes